July312014
komizuka:

Kanaya Maryam from HomeStuck
Cosplayer/Photographer

komizuka:

Kanaya Maryam from HomeStuck

Cosplayer/Photographer

(Source: misdreavus-m, via prouvaireish)

5PM

deducecanoe:

kawaiiasaurus666:

fromthemarinadistrict:

FUCK

PLEASE CREDIT THE ARTIST; THE MERTAILOR!! HE SPENDS A LOT OF TIME ON THESE TAILS AND THEY ARE HOW HE SUPPORTS HIMSELF AND HIS BOYFRIEND!! CREDIT ARTISTS! ALL OF THESE TAILS ARE HANDMADE BY HIM!!

His website is :https://www.themertailor.com/

His Facebook: https://www.facebook.com/mertailor

I wanna be a mer-person

(Source: eclectic69, via godtechturninheads)

5PM

geekygeekweek:

Stunning Steampunk Leather Bags And Books 

These bags and books are the work of Russian leatherworker and throat singer Serguei Kooc. He’s created incredibly detailed Steampunk bags and books with lots of brass accents. 

Product Page (Prices Vary Diane Duane via Boing Boing)

(Source: fashionablygeek.com, via godtechturninheads)

5PM

Anonymous said: I don't mean to be critical, but it's fondler, not fondiler!

godtechturninheads:

Yeah someone told me that before but I’m just like “eh” 

too lazy to fix it

besides i can’t spell for shit anyway xD

I always pronounce it “fawn-dialer” in my head and then giggle. Please do not fix it.

6AM

wickedclothes:

Owl Print Cardigan

This open cardigan is made of soft and stretchy knit fabric. Currently on sale for just $17.50 at Amazon!

(via prouvaireish)

6AM

nellow:

moon83:

Sparkle palace cocktail table by John Foster

Portfolio // Tumblr

Fudge that’s cool.

(via prouvaireish)

6AM

prouvaireish:

ready for that southern family reunion

July302014
barwellz:

honeybucky:

moriarty:

SPIDERMAN WOULD. SPIDERMAN WOULD

itS BACK

ALWAYS REBLOG.


Look how happy that guy is. He’s literally pumping his fist he’s so excited about what just happened.

barwellz:

honeybucky:

moriarty:

SPIDERMAN WOULD. SPIDERMAN WOULD

itS BACK

ALWAYS REBLOG.

Look how happy that guy is. He’s literally pumping his fist he’s so excited about what just happened.

(via godtechturninheads)

6PM

Lifehack: If you pour lime juice on your skin after shaving, it will sting.

5PM
“I am half child, half ancient” Bjork  (via 90377)

(Source: nymphetgarden, via thedruidsteaparty)

5PM

nubbsgalore:

honduran white tent bats roosting under a heliconia leaf, which they sever down the length of its midrib to create a ‘tent’ that provides a waterproof shelter and protection from potential predators. 

photos by (click pic) konrad wothekenji nishida, jenny theobald and tobias gerlach, leyooutofsomewherewanja krahalex figueroamatt brady, and michael and patricia fogden

(via reaperduckling)

5PM

its-tuesday-again:

WHAT THE FUCK IS WRONG WITH STRAIGHT BOYS

(via porkiepines)

5PM
theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.
The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”
The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.


Man this is still one of my favorite little social projects/experiments.

theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.

The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”

The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.

Man this is still one of my favorite little social projects/experiments.

(via porkiepines)

4PM

mymodernmet:

French artist Mademoiselle Maurice created this gorgeous map of the world with rainbow-colored drips of water. This piece, along with other artworks, will be on display at the artist’s solo exhibition Colors are the New Black until mid-July at the Backside Gallery in Marseille, France.

(via otherworldlytrip)

4PM

artmonia:

Scott Naismith - Artist from U.K.

Medium: Oil on canvas

(via otherworldlytrip)

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